Get ready for a hilarious journey aboard the HMS Pinafore, a show that will have you in stitches! This review takes us back to the roots of this beloved production, showcasing how it has evolved over time while staying true to its original charm.
The year was 1878 when HMS Pinafore first set sail, and audiences were treated to a satirical masterpiece that poked fun at the political elite. The show's creators, Gilbert and Sullivan, took aim at WH Smith, the First Lord of the Admiralty, who, much like the fictional Sir Joseph Porter, had climbed the political ladder without any naval expertise. While Smith's legacy lives on through the newsagent chain that bears his name, the English National Opera (ENO) has kept the spirit of this lampoon alive with their energetic and laugh-out-loud staging.
Cal McCrystal's 2021 production is a delightful homage to the Victorian music hall, a world where love and comedy truly did "level all ranks." With additional comedic elements crafted by McCrystal and Toby Davies, this version also pays tribute to the beloved British comedy of the 1970s, particularly the iconic Carry On films.
But here's where it gets interesting... A unique twist is introduced in the form of a prologue, masterfully delivered by John Savournin. It seems the ENO has engaged in an artistic exchange program, sending one of their chorus members to work with Michael Portillo on a travelogue, and in return, they've welcomed Mel Giedroyc, known for her Bake Off fame, to step into the shoes of the absent chorus member. Giedroyc's performance is a hilarious testament to the spirit of British comedy, as she takes on multiple roles with little rehearsal, a true testament to the art of improvisation.
The set design is a visual treat, with a revolving ship and vibrant costumes that transport us back to the Victorian era. The clever use of lighting and the attention to detail in the costumes create a captivating atmosphere. What truly brings this production into the modern era is McCrystal's brilliant physical comedy, a whirlwind of hilarious antics that keep the audience engaged and entertained.
The cast is exceptional, with Neal Davies' Sir Joseph, a charming rogue with a struggle to pronounce his 'r's, providing a perfect balance of humor and vocal prowess. Savournin's Capt Corcoran and Rhonda Browne's Buttercup form a delightful duo, while Henna Mun's Josephine and Thomas Atkins' Ralph bring a youthful energy to the stage. Trevor Eliot Bowes' Dick Deadeye is a scene-stealer, with his over-the-top performance and a barrage of jokes that will leave you in stitches.
And this is the part most people miss... The ENO chorus, under the direction of Matthew Kofi Waldren, delivers a powerful performance, tackling Lizzi Gee's challenging choreography with ease. When the entire production comes together, as it does during the exhilarating company hornpipe, it's a sight to behold, a true testament to the talent and hard work of the entire cast and crew.
So, is this HMS Pinafore a crowd-pleaser? Absolutely! It's a gloriously funny and heartwarming production that will have you laughing and leaving the theater with a smile on your face.
Now, what do you think? Is this a show you'd love to see? Or do you prefer a more traditional approach to these classic productions? Let's discuss in the comments and share our thoughts on this unique and hilarious take on HMS Pinafore!
